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Stevenson, Sara. Light from the Dark Room. Edinburgh, National Galleries of Scotland, 1995. 66-67.
Stevenson, Sara. Light from the Dark Room. Edinburgh, National Galleries of Scotland, 1995. 66-67.
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Extracts from essay by Dr. Tom Normand: Scottish Photography: A History
Extracts from essay by Dr. Tom Normand: Scottish Photography: A History
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Stevenson, Sara. Light from the Dark Room. Edinburgh, National Galleries of Scotland, 1995. 66-67.
Stevenson, Sara. Light from the Dark Room. Edinburgh, National Galleries of Scotland, 1995. 66-67.“The archaeological examination of the present – an examination that selects the minor objects made by our civilization and considers them in isolation – may lead us into new fields of beauty and exploration, in abstraction of work as that by Ken Reynolds and Vaughan Judge. The important proposal looked at here is that of collaboration and connections made through broad and open approaches – the cross cultural possibilities that can find new paths to invention: the way photography is knitted into intelligent ideas can breed new visual ideas and concepts.”  Sara Stevenson
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Extracts from essay by Dr. Tom Normand: Scottish Photography: A History
Extracts from essay by Dr. Tom Normand: Scottish Photography: A History As an educator: “Vaughan Judge, in particular has been responsible for encouraging a radical program of photographic art from students at Glasgow School of Art” (p. 155-156) As an artist: “In addition to this, Vaughan Judge’s practice has developed into one of the more fascinating neo-conceptual forms of the contemporary period”.  (p. 155-156)
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VJ_Press_19OCT13 (14 of 21).jpg
VJ_Press_19OCT13 (5 of 21).jpg
VJ_Press_19OCT13 (21 of 21).jpg
VJ_Press_19OCT13 (20 of 21).jpg
VJ_Press_19OCT13 (9 of 21).jpg
Untitled-wasp.jpg
Figures in the landscape.jpg
Going Out.jpg
Screen Shot 2017-05-01 at 6.45.56 PM.png
Screen Shot 2017-05-01 at 6.45.22 PM.png
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